1999

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What I remember most about this job was the long and painful commute to Simi Valley everyday for three months. To alleviate some of the driving time, a couple of buddies and I arranged to carpool. But even that was not without peril. Once, cruising down the 405 after a long day of work, we heard a loud explosion coming from the back of the car. To our surprise, the rear-window had shattered. Not knowing what had caused it, we pulled over to investigate. It turned out that a Camry had rear-ended the car behind us, which in turn had rear-ended us. In the midst of this chaos, the woman who had caused the accident, jumped out of her car, and said to us, 3 straight men: "Um, I just got a breast job, and my breasts really hurt! Is this normal...?" She was genuinely distressed. It was one of those L.A. moments that left us dumb-founded and searching for something clever to say. During this time when driving became one of my least favorite activities, I was ironically assigned to texture-paint cars and streets for the movie! To make the workflow easier, I devised systems that would increase productivity. For example, I simplified the process by painting only 4 textures per car, and projecting the textures laterally across each car. I did this using Photoshop, Maya and Mtor.